Issue 12
April 2005
ISSN 1542-0868 |
A Sharper Focus - by Rick Curnutte read>>
Editor's Note: Retraction of Ford interview introduction - by Rick Curnutte read>>
Centerpiece Article: We Shot D-Day on Omaha Beach (An Interview with John Ford) - by Pete Martin read>>
A Survey of Cinema's Top Directors: Scanning the past and looking to the future read>>
The Delicate Touch of Surrealism in The Saragossa Manuscript - by Iwona Grodz read>>
The Master of Suspense and the Acrobat of the Drawing Room: How the Relationship of Cary Grant and Alfred Hitchcock Shaped Their Collaborations in Suspicion , Notorious, To Catch a Thief and North by Northwest - by Carey Martin read>>
An investigation into the strategies of detachment employed in Robert Hamer’s Kind Hearts and Coronets - by Simon Justice read>>
Hypnosis, Identification, and Crime in Lars von Trier’s European Trilogy - by Elizabeth Stewart read>>
Steven Spielberg's Indiana Jones and the Temple of Doom as Virtual Reality:
The Orientalist and Colonial Legacies of Gunga Din - by Kaizaad Kotwal read>>
Language Aesthetics in three films by Joel and Ethan Coen - by Paul Coughlin read>>
Dickens, Griffith and Gangs of New York: The Belatedness of a Modern Epic - by Craig Tepper read>>
Another Grand Illusion: Jean Renoir’s First Year in America - by Elizabeth Vitanza read>>
John Frankenheimer’s The Train - by Stephen B. Armstrong read>>
2005 Cleveland International Film Festival x 14 - by Mark Pfeiffer read>>
Theatrical Reviews
House of Flying Daggers - by Christina Lee read>>
Slow-dancing with Memory: Wong Kar-Wai’s 2046 - by Jenna Ng read>>
Sin City: expressive homage - by Rick Curnutte read>>
Home Video Reviews
Strangers When We Meet - by Peter Tonguette read>>
Book Reviews
Kenneth Anger - by Deborah Allison read>>
For Ever Godard - by Richard Armstrong read>>
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